Bus Projects, Melbourne, 2016.
“The common thread/threat through the works is ‘deviance’ recategorised as ‘defiance’. The female rebel is a paradox of radical subjectivity: at once a threat and not enough of a threat. She acts-up in shrill defiance of the structural apparatuses that motivate ‘good’ citizenry. Such gestures – etiquette, monogamy, not-stealing – can be (always are) political when gendered…” *