Bus Projects, Melbourne, 2016.
“This new series continues Gregory Hodges interest in the ways illusionistic painting devices can be applied to an abstract picture space. By adapting and translating historically associated techniques, such as illusionistic trompe l’oeil, into a contemporary idiom he considers how these affect the ways we experience and interpret abstract paintings. Consisting small scale and large paintings on canvas this exhibition considers the oscillating relationship between the eye and the body, illusion and materiality, stasis and motion, flatness and spatiality…”*
camera: lx100
