Minouk Lim: Strange Fruit

Carriageworks, Sydney Biennale, 2016.

Curated by Dr Stephanie Rosenthal.

“The work of South Korean artist Minouk Lim explores the human and societal costs of modernisation. Working across a range of mediums, including performance, video, sculpture, installation and community-engaged public art, Lim’s work takes as its inspiration, and often its material, the globalised world. Themes of alienation, collective memory, loss of place, detritus, rapid growth, obsolescence and political power all resonate through her powerful and poetic works. Lim has described her video-based works as ‘performance documentary theatre’, and her works are often experienced as a live event or a series of records after the fact, in the form of installations, films and sculptural remnants…” *

 

*text source

camera: lx100

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